Somehow, Gillespie could make any "wrong" note fit, and harmonically he was ahead of everyone in the s, including Charlie Parker. Unlike Bird, Dizzy was an enthusiastic teacher who wrote down his musical innovations and was eager to explain them to the next generation, thereby insuring that bebop would eventually become the foundation of jazz. The leader of two of the finest big bands in jazz history, Gillespie differed from many in the bop generation by being a masterful showman who could make his music seem both accessible and fun to the audience.
Tweet Intriguing, dedicated, elusive, resolute, scholarly, unpredictable, uncompromising.
The accounts that have attempted to chronicle the storied life of trumpeter Dizzy Reece have painted the picture of an artist who is all of the aforementioned things.
Unlike those of the jazz greats he has played with: Pianist Trevor Watkis is one musician who has built a strong relationship with Reece.
It is said that his nickname links to some of his erratic childhood behaviour: In approximatelyhe enrolled at the Alpha Boys School, now called the Alpha Institutean institution which has had a school band since the late 19th century. It was there that Reece, at the age of 14, took up trumpet, the instrument with which he would pursue a professional music career.
He has spoken during interview about spending time in London, Lancashire and Merseyside while in the UK during the fifties, but he also travelled further into Europe as well. Before the turn of the decade, Reece has suggested that he could be found in Paris with tenor saxophonist Don Byas, who he later accompanied in Germany and Holland.
Back in the UK shortly thereafter, Reece was able to establish himself and build key relationships in the music scene.
May, saw Reece working on his first recordings as a leader — the ones which would eventually comprise the album, A New Star. Despite suggestion that Reece was tricky to work with, the quartet are said to have had a great rapport, although their time together was all too short. Reece affirms that it was Miles Davis who encouraged him to make the move to New York and that he did so in October, Reece, saxophonist Hank Mobley, pianist Wynton Kelly, drummer Art Taylor and bassist Paul Chambers convened to record the material for Star Bright, an album which today is still considered one of his finest, not to mention a lesser-praised gem in the Blue Note catalogue.
Reece can be seen seated, in between the heads of Roy Eldridge and Dizzy Gillespie, soaking in the sunshine with his fellow musical innovators.Elvis had his hairstyle; Gillespie had his twisted trumpet.
It was the musician's trademark, and it happened by accident. The signature bent trumpet was an accidental discovery by Gillespie.
Other jazz musicians (before Gillespie) had experimented with latin rhythms, but since the mid 40s and Gillespie's recordings of jazz/latin crossover music, "latin jazz" has been part of . Introduction to Jazz Mus/AAAS 74 Prof. Robert Zimmerman. Don Byas and Slam Stewart I Got Rhythm Dizzy Gillespie and His Orchestra Manteca but since the mid 40s and Gillespie's recordings of jazz/latin crossover music, "latin jazz" has been part of almost all jazz musician's repertoires.
A far more memorable contribution was made by bebop trumpeter and composer Dizzy Gillespie, who added a brooding introduction and coda to Monk’s masterpiece, both of which are still often played by jazz musicians to this day. for a brief time in the late s, bebop was aggressively marketed as popular music; as the swing bands began to fade, the music industry turned nervously to the new jazz style, offering it to the marketplace as both edgy modern music & comic novelty; its public face was dizzy gillespie; bandleaders like woody herman & benny goodman enjoyed a.
Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert .